This term, I have been teaching a course on energy and energy transition in contemporary popular culture at the University of Winnipeg. Instead of accepting the idea that energy means fossil fuels, or that it is best characterized as a debate with two sides, we have been engaging with bigger ideas about energy as everything, as relationship with the land, and as deeply connected with cultures and ways of life.
Following Derek Gladwin’s suggestion that “We could power a new green movement by talking about energy change,” we have studied a variety of cultural texts as intersecting and overlapping energy stories. Focusing on energy stories suggests that rather than dividing us, energy can bind human and non-human communities through relationality, responsibility, and care.
This folio casts poetry about the oil and gas industry, energy, and the land as energy stories and as contributions to a much-needed, broad conversation about energy and energy transition.
Melanie Dennis Unrau respectfully acknowledges the original caretakers of the land known as Treaty 1/Winnipeg, where she lives as a settler of mixed European ancestry on the traditional territory of the Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples and the homeland of the Métis Nation, with water from Shoal Lake in Treaty 3 territory and with electricity from Treaty 1,3, and 5 territory, where the Northern Flood Agreement has never been implemented. Melanie is a SSHRC Postdoctoral Fellow in English and Comparative Literature at Columbia University and a Research Affiliate at the University of Manitoba Institute for the Humanities. She is the author of Happiness Threads: The Unborn Poems (Muses’ Company, 2013), a co-editor of Seriality and Texts for Young People: The Compulsion to Repeat (Palgrave, 2014), a former editor and poetry editor at Geez magazine, and a former co-editor of The Goose: A Journal of Arts, Environment, and Culture in Canada.