Tuesday, May 4, 2021

Jason Christie : Five poems

 

 

 

Toxic Lake Reflects on Product Liquidity and Planned Obsolescence

Birds used to chirp,
A chip falls in for rest,
For the mind in repose

And the sun, does
Anybody hear micro-

Waves slowly cook
Salamanders along

The shore anymore?

A log perfecting a rate:
Decay and value amidst
Pink-hued, yellowish-green

Sunsets guarantees four
More years of early iPhone

Launches even as another
Lonely lark sinks beneath

This muddy chemical blanket,
Its eyes glazed with relief.
 

And in the dark, the quiet,
The bubbles pop, digesting
Silt and muck, burping

A premonition of good
Fortune for this year's

Electronics trade shows.

Look, it all commands, look
At the subscriber numbers and
View counts! What a success,

This viral video that was so
Popular a year ago, what

Joy we find while surveying
All we have accomplished!

 

currency

Which is more privileged:
the tree or its bark, the

car or its horn, the tax

ledge or its privatized

healthcare system, the

dog or its bite?

Which type of money substitute
would I prefer to spend?

Is my body concerned with
unchecked economic growth

around the middle or at the

bottom line of finite time? 

Can I eat your leftover pizza?
I've only had some supple

leather and chewy tendon

this week, which makes

for a delicious and nourishing

stew, sure, but leaves me

desiring something substantial

before I attend the opera.

Is my body concerned with
operational excellence 

whilst in the nude

by the time I descend

all those stairs that either

lead to a tastefully

renovated bathroom or 

my eventual

doom, or ?

Can I spend some of your labour?
I used all of mine to write this poem

and I'm waiting for the return

on my investment to mature

into pizza pockets full of moths

fluttering skyward when I cut

into them rather than devouring 

my sweater collection.

 

 

Sold Poem (CAD $4.99) 

What I'm asking for, a water colour,
and what you are delivering, a home gym,

voids my contractual obligation

to have dinner with your mother.

There has to be a donkey in all of this
that will work with the colour scheme

we chose for our hobby farm that sits

next to our hobby energy company's HQ.

I could get a smile from a baby
for a song or take candy for that matter

if it is just business, then who painted

my lawn such an awful green?



This poem is a ski mask


a target with no lines

no colour wheel or

a spin cycle class
on laundering intent

no fixed placard or
precarious labour or

around which to
announce an end

of us versus them
except who among us

and what of them
walks along the

olive branch
stretched across

whichever fake
divide suits

our causes?

what poem isn't a 
valet for rich readers?

bottle service
stolen land

a vip seat
would you

sign the petition
for poets

against privilege?
it's on the other

side of this velvet rope

this poems is a ski mask
this poem hides in the garage

this poem features three knives

this poem waits for you

this poem wants for nothing

this isn't really a poem 

some crushed diamonds
mixed with a residency

at a chalet in France

and never a whiff

of poetry as an object

in the strictest
technical sense

of an orange vapour
an unknown agent

a spectacular sunrise
or royalty cheque

the separate address
for this sole

proprietorship
in name only

sitting upright
citizens in name only

hunkering private-like
as the giant eye

swivels past
without pause

over where we live
us poets

in the know

in name only


 

26 notes from a necessary product reflecting on its experience of the future

1. is my life worth trading in this game for coins, or cosmetic upgrades? a series of confusing questions might obtain, such as: how much time do I have left? how many coins? what colour of cape?

2. to whom do i pledge fealty: to the hardware designers and bank on short term gains for my lineage?

3. should i spend my money on software and buy whatever i can get cheaply on the auction house in order to hedge against the time when the hardware finally catches up?

4. can i expect to be able to use all of the devices in my body with the latest operating system patch?

5. the sound of two long blasts on the horn signals the loss of identity mixed with an unhealthy desire for more identity on Twitter.

6. what gift would you offer to salvage something when the war for our data finally stops and we can look up from the trenches without fear of losing more of our privacy, i asked the archivists in attendance.

7. we fear our governments and yet give everything to companies who owe us nothing and are predatory as part of their business model.

8. line à into slot b then reverse

9. i like the blue deodorant because the green deodorant smells too antiseptic or something, too piney. it makes me yearn for the fjords and i hate yearning. yearning is weak.

10. notes from stress test: plastic wheels and blue plastic body rolls until the wheels crack or dent, connotes user should have been less rough, blame the children, make 10% less durable.

11. what should i be able to do in the 21st Century?

12. the playground looks vaguely like a ship, make sure some metal exposed to elements, cold temps and rain for optimal rust, target for replacement 5 years, acceptable limit for loss of children needs analysis.

13. x marks the spot where treasure is buried, but in this case the x abrades the surface enough that eventually fine cracks appear in the substructure that will lead a user to replace the unit at considerable cost / profit!

14. a yarn company except with wool from only one sheep that accepts money for spots on the waiting list. the sheep has a phenomenal pedigree and good manners, local, slow, organic, etc.

15. when we design a product we must always be conscious of reducing the cost of the material and assembly, decreasing the actual amount of product contained vs the size of container, increasing the chance of accidental breakage esp. of key components like pumps, handles, vacuum seals, spouts, lids, hinges, etc. we must increase the desirability of the product to the point a user feels lucky to own and use it, and experiences significant FOMO if unable to attain it, thusly when the product breaks the user will feel shame, sadness, guilt, and frustration not with the product or producer but with herself.

16. what happens when we are deep into a time when we can't repair the basic elements of our lives ourselves?

17. glass jars must clink well, plastic bottles must have good hand feel, ergonomics is a selling feature. hands should feel good when accidentally breaking products.

18. imagine a future. that's it really. just imagine a future.

19. nice ride on the horizon, faded frontiers full of empty signs await us in Valhalla or whatever shitty strip mall we call the afterlife.

20. is part of the reason we like chocolate that it looks like shit but we can eat it and enjoy it? let's face it, some chocolate is really bad, but i'd rather eat it than shit any day. is it the ingestion of waste, the eating of something that resembles a substance our bodies excrete, that makes it erotic?

21. i don't know. maybe i'm over thinking our relationship to the things in our lives.

22. a flickering spate of stars splashed across my high def VR field of vision suggests i've landed myself in the middle of something i can never hope to control. i was playing a game and then an ad started for some treatment cream and now i don't know where i am or how to exit the ad.

23. a choir of voices risen as we shop online, subscribe and save, as we lift our baskets to the sky and beg for a few pennies off the dollar, a scrimp to salvage whatever humanity we traded on the open market for access to free shipping especially if we inveigle a friend.

24. i don't know how i feel about using a deodorant called vengeance thirst or freedom thrust.

25. scavengers at the fount describe a desire for recommendations, a closing of the gap in the protective screen lining the sphere in which we bathe.

26. adrift, maybe. at a loss, certainly!

 

 

 

Jason Christie lives and writes in Ottawa. He is the author of Canada Post (Invisible), i-ROBOT (Edge/Tesseract), Unknown Actor (Insomniac), and Cursed Objects (Coach House). His most recent chapbooks are: Bridge and Burn (above/ground) and Heavy Metal Litany (Model press). He is looking for a home for a new manuscript of poetry he wrote with the help of several Python scripts.

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