Sunday, August 2, 2026

Harold Hoefle : Three poems

 

 

 

To Be

Gibraltar, James Wilson Morrice, c.1913. Oil and graphite on wood.

 

It dominates.  A massive gold rock   
shaped like a wedge, flecked with silvery blue
and fronted by a blur of beach figures,
one standing apart.  A woman in a wide black hat          
topped with feathers, a stroke of royal blue 
at her feet.  Crowd, loner.  Someone
will always break off.  Go alone. 
Another’s voice annuls silence, but what if
silence threatens, absence knifes?
No person or animal to commune with. 
Life as desert, cold at night.                                                            

Painted black, far behind the woman, another 
solitary.  A man drives a white horse-drawn cart. 
The backdrop is rock, the monolith
that gathers worker and hedonist, as if
Morrice knew: nearness to a mountain
ennobles the smallest human act,
done at the hour of doing and doing
nothing, which only appears so. 

In this place, with iron bars, a Greek hero
split a mountain, creating two.  Gibraltar                                
and her African twin: the Pillars of Hercules.  

 

 

Running on Ice                                                                                               


Crunch it down,
pound its spread
with the bang
of shoes
hammering west
to the sunset,    
body leaning   
into minus nine
(wind chill
minus twenty),
the air       
invisible
blackflies      
biting my face –
pain, sure,    
but countered
by colour                             
splitting the world,
a thousand glints
of snow                                        
under a blue
so impacted,       
so massively
stalactite 
only a god       
could smash it, 
break the sky 
to show us
what grows behind –      
and when the seen
shatters
we’ll run to the cold,
in the cold,
the cold
the one thing
we know. 

 

 

On Being a Leafs Fan                         

“There is eternal hope, but not for us.”
                          – Kafka

 

Loving the feel of a book and the world     
it gives you…later, watching puck-
size goslings swim in their parents’ wake,
paralleling the shore – these things layer
your life, as does cursing the Leafs,          
who are your children and all your fathers.    
  
In a bowered garden, cradling your device
of choice, you stream the playoff game.  Your hopes
so low, worms snuggle up and ask, in the gentlest
of worm voices, You okay?  Oh, don’t worry,    
soon you’ll be with us.  We too were fans.  We
are
still trod upon.  Life, death – they meet at your
feet. 

Other questions: should your guy elbow the head
and concuss their guy, because last game
he hurt one of yours?  Are you into Old School pay-
back, flexing lex talionis, injury for injury? 
Will you bench your conscience for the game
or forever?                                                                   

Game Seven, down 5-1.  In the lingo     
of Leafs Nation, you text a friend.  Shit! 
Shithead!  Later, quiet, at breakfast,
you spoon up the soggy bowl of sorrow. 
Why give those guys your time.   
Maybe, for us, they’re all our time is worth.

 

 

 

Harold Hoefle’s poems have won the Bliss Carman Award, the Great Blue Heron Poetry Award (2014), and a National Magazine Awards silver medal. His debut collection of poems, The Night Chorus, was published by McGill-Queen’s University Press. He has also published a collection of short-fiction called The Mountain Clinic (Oberon Press). These poems are from Leaning In, a new chapbook out this month with above/ground press. Harold lives in Ottawa, teaches in Montreal.

most popular posts