2.-
What in the crest of dreams
beware of time
splashing at
the edges
Shoreline ring
to open
currents
threading
grass wheat
Under a rinsing
mist of the
green
wave
transparent
into
air surrounding
3.-
Round view for a 360º
immersion into
the cortex
of continental
layers
ocean turning
inward
We run to the
mills
along the beach
a photograph
revealed
the pilgrimage
an
eye for an eye
emerging from a
shadow
tree
5.-
Walk
of the day along the green vereda
open
to the left to the unburied
a
weaving spiderweb sticks
behind
a light transcended
airy
note
uncaught
by the wind
where
will the leaves weight
6.-
Long
walk down the stairs
a
swirling voice over the
crowds
die around the corner of cellular
extension
bottom
line correction a discovery that
what
grows within you stays
in her
weed
elongated for fake
linking
words that failed a sense
of
water threading.
8.-
If
an idea walked to its point of no return when the sentence breaths in the book
of angles coalescing chapter in dunes forbid a wording from the tavern like
swearing lost in sandstone.
9.-
//
Intro to the accord for no rhythm there lies notation books marginal scripts
For
a fugue effect // a note degraded scripted for a rehearsal
Under
a snow blanket // quoting the
musical string reversed
It
escalated spiraling downgraded sketch //
limping dust
Sharpening
a white sky for a volta that melted a
contrast //
ended in
Parsimonious
tree uniform canopy greyish contour a
wise treaty noted // a tower
/ in iteration
10.-
Err into the plausible at insight
will not imprint an area for your solace
in sight of waves
sprawling
behind windmills
what sight is noted
drone
sight
marked
site
spot
crossed
wind sight in view of a diagonal
pathway
the x’s crossed your way for one letter only will be key
to
a delivered code enshrine in marble
Gemma García has published articles on the poetry of Spanish peninsular poet Jaime Siles, South American poets Gonzalo Rojas and Juan Gelman (Revista Aerea and Fragmenta), and Canadian-Chilean poet Beatriz Hausner (Fence); she has collaborated in the edition and publication of a 16th Century Spanish-peninsular poetry collection (Studia Aurea). As a creative writer, she published The Thin Red Line in digital and print editions (2014), and a Spanish poetry collection, Sol de Nagano, self-published as chapbook (2021). Her poems have been featured in The Coalition for Digital Narratives and Isele Magazine.