Friday, May 3, 2024

Gemma García : from SOURCE

 

 

2.-
What in the crest of dreams
beware of time
splashing at the edges

Shoreline ring to open
currents threading
grass wheat

Under a rinsing
mist of the green
wave transparent
into

air surrounding

 


 

3.-
Round view for a 360º
immersion into the cortex
of continental layers
ocean turning inward
We run to the mills
along the beach
a photograph revealed
the pilgrimage an
eye for an eye
emerging from a shadow
tree                                                                                          

 

 

5.-
Walk of the day along the green vereda
open to the left to the unburied
a weaving spiderweb sticks
behind a light transcended
airy note
uncaught by the wind
where will the leaves weight


 

6.-
Long walk down the stairs
a swirling voice over the
crowds die around the corner of cellular
extension
bottom line correction a discovery that
what grows within you stays
in her
weed elongated for fake
linking words that failed a sense
of water threading.


 

8.-
If an idea walked to its point of no return when the sentence breaths in the book of angles coalescing chapter in dunes forbid a wording from the tavern like swearing lost in sandstone.

 

 

9.-
// Intro to the accord for no rhythm there lies notation books marginal scripts
For a fugue effect   // a note degraded scripted for a rehearsal
Under a snow blanket      // quoting the musical string            reversed

It escalated spiraling downgraded sketch                             // limping dust
Sharpening a white sky     for a volta that melted a contrast           // ended in
Parsimonious tree uniform canopy greyish contour a       wise treaty noted       // a tower / in iteration

 

 

10.-
Err into the plausible at insight
will not imprint an area for your solace
in sight of waves
sprawling
behind windmills
what sight is noted
drone
sight
marked
site
spot
crossed
wind sight in view of a diagonal
pathway
the x’s crossed your way for one letter only will be key
to a delivered code enshrine in marble

 

 

 

 

 

Gemma García has published articles on the poetry of Spanish peninsular poet Jaime Siles, South American poets Gonzalo Rojas and Juan Gelman  (Revista Aerea and Fragmenta), and Canadian-Chilean poet Beatriz Hausner (Fence); she has collaborated in the edition and publication of a 16th Century Spanish-peninsular poetry collection (Studia Aurea). As a creative writer, she published The Thin Red Line in digital and print editions (2014), and a Spanish poetry collection, Sol de Nagano, self-published as chapbook (2021). Her poems have been featured in The Coalition for Digital Narratives and Isele Magazine.

most popular posts