The comix knows what it holds. These four works move through war, remix, light, and boulevard — each a different pressure, each a different silence.
The panel remembers its physics.
The dot thinks.
The tree lines itself and plays shady tunes.
Art listens for it
and brings it all to the foreground.
Poetic noise coming through.
Ambient War
Less than half of what
it listens for.
Ambient Light Force
A comix remembers
physics of its panel—
Ambient Medley
A comix made to hold
some things•
Ambient Boulevard
Tree lined with shady tunes.
Laura Kerr is an award-winning Canadian visual artist and poet. In 2012, she was honoured with the Queen Elizabeth II Diamond Jubilee Medal for her contributions to the arts and her long-standing commitment to art education.
She recently sold her art school to devote herself fully to her writing and art practice. Laura currently serves as Vice-President on the executive board of Plug In ICA, a leading contemporary art centre located on Treaty 1 territory in Manitoba, Canada.
For over 30 years, she co-owned and taught at Paradise Art School, specializing in classical and contemporary art education. Throughout her career, she has explored the intersections of traditional mediums and digital technology, increasingly blending painting, drawing, and photography with generative processes.
Her current focus is visual poetry—experimental, image-based works that merge poetic ambiguity with technological play. By using digital tools in process-driven ways, she ensures the artist’s hand remains central—even in collaboration with machines.
She is also developing a body of experimental poetry criticism, written in collaboration with AI trained on her own work. These pieces challenge conventional interpretation and embrace uncertainty, forming a self-reflective loop between maker, machine, and meaning.
