forgive
me, the first time we met
the
unsteady glass of me
filled
with mistrust
thought
the coolest name in small press
might
be invention, might cut up
weak
verse for breakfast
thought
i was getting used to surprise
announcements
the scourge
was
claiming acquaintances
while
we cloistered in our 2020 homes
i
wonder if, five days hence
the
friendly air
of
barely controlled panic
in
my therapist's face
will
overcome my own and
which
of us will be more relieved
to
cancel
sous
le dôme blanc épais
of
the plaster glebe centre heaven
surveying
our ephemeral efforts
you
sat at a table in faded denim jacket
long
hair about your leaning elbows
behind
those overly large
tea
tinted glasses
through
which you drank the room
lightly
the
blanket backdrop my therapist hangs
in
her basement for virtual sessions
slips
and i see my own scatter, ill-fitting
underneath
the neutral colours
is
it more merciful
if
out of sight, meant wiped from mind forever
i
was in the middle of asking after cake
when
i heard, two days late
that
you were mysteriously gone
made
ash at lighning speed —
are
those cherries maraschino or glace
i
continued, as if they were life itself
and
i had to know how much
bright,
red stain to contend with
natalie hanna is a queer, Ottawa- born lawyer of Middle-Eastern descent, living with disabilities and working with low income populations. Her writing focuses on intersectional feminism, political, ecological, and personal themes, including racism, violence, identity, and disability. She runs battleaxe press, a small poetry press, encouraging work from a feminist perspective. From April of 2016 to September of 2018, she served as the Administrative Director of the Sawdust Reading Series, and on the board of Arc Poetry Magazine. She is the author of eleven chapbooks of poetry, including three titles with above/ground press. Her most recent chapbook, infinite redress with Baseline Press was published in the Fall of 2020. A twelfth, collaborative chapbook is forthcoming in the Spring of 2021 with Collusion Books. Her poetry, interviews, and commentary have appeared in print and online in Canada and the United States. Her poem, “light conversation” received Honourable Mention in ARC Magazine’s 2019 Diana Brebner Prize. More information about her literary work can be found online at: https://nhannawriting.wordpress.com.