Friday, August 4, 2023

Jerome Sala : Six poems

 

 

 

Philosophy of the Discount

Money off the original price
means no product maintains a royal status.

All can be brought down
to the level of the commoner.

But there are Rolls Royce limits.
Each product owns a price point
that functions as its horizon line.
To exceed it is to cause sticker shock.
To retreat from it is to be cast from the land of profit
into the outer darkness of lost investment.

That an economy has a soul is an illusion—
a function of the stories it tells itself
so as to appear coherent.

Though it coheres to only a tiny cohort,
it preaches universal access
to avoid the collapse of democratic credibility.

The discount, not a sentient being itself,
pays no heed to such tales.
It constructs rebel enclaves called Dollar Stores
and relentlessly subsumes brand image.

Like the Borg in Star Trek,
it burrows into marketing intelligence,
devouring brand narratives and ontologies,
relentlessly undermining differentiation
until the once celebrated cornucopia
devolves into a colorless blur.

Motivated by the terror of the indistinct,
new technologies are born to relieve boredom.
To make up for lost time initially they gouge and plunder,
until they are replicated beyond difference.

At which point they compete by price
and the cycle begins again.

 

 

The Authoritarian Century

“The owl of Minerva flies only at dusk.”
                                                                        —Hegel

When it happened, people were saying it hadn’t;
now that it’s easing up, they’re saying that it has.
We must forgive the owl, Minerva and history itself
for arriving late to the catastrophe. It takes time
to realize you’ve been hit in the head with a bat.
At first, you just see flashbulbs.
Or when you’re in a car wreck.
You awaken from a blackout that followed a wild brightness.
You see broken glass and hear cries. They shine a light
in the window, saying “this one’s dead; leave him for later.”
You shout, “no, no, I’m alive.”
And you start to remember your name.

 

 

Society Must Be Defended

from this poem. Its inconsequence is a problem.
A problem Society doesn’t know about.
Problems known, as we all know (don’t we?)
can be harvested, like souls in need of repentance.
But the uncounted are worse than the uncooperative.
They are likely to increase or disorganize
the way of all flesh if allowed to bask
on their undiscovered beaches. Many unknowns
are out there. They are, in fact, known as “the many.”
The only traces they leave are something like black holes.
You know you see something, but on closer inspection,
you’re just gazing at absence. No one blames you
for looking away. After a while, all social space
seems more and more empty. That it goes on
like this for infinity. Scary. But not to worry.
Authorities assure us this too must end.

 

 

Color My World

Like a line drawing of an orchard
to which you bring your own crayons
but when you arrive at the page in the coloring book
discover that it’s already colored in
and in the colors you’d expect,
it’s hard to discern what causes the ordinary order.
Was it you who made the page the way it is?
Did something guide your hand?
Was it comforting that way?
Hitchcock claimed the movie Topaz
was an experiment in in yellow, white and red
to determine if a color scheme
could influence the plot.
He decided that it did not,
but maybe he was wrong about his wrongness.
Doesn’t the streetlight order traffic
into the plot of green, yellow and red?
“You go to my head”
Bryan Ferry sang in 1983
on the Let’s Stick Together album.
The cover of these cover versions was ordered
by his white suit, blue shirt and black hair.
It stares out from the past,
an order now overcome
by the coloring book of the next era:
you could dress like that today
and it might mean tearing apart
instead of sticking together
like the color red
which once meant left wing
and now means right.
It’s as if red was in a fight with itself.
It’s like the universal
trying on one particular after another
as if reality were a collection of hats.
You’d think after a while it would realize
it doesn’t look good in hats anymore,
but history might find that revolting.

 

 

Vitamin Sea

The health food store reveals itself
for what it was all along: a vitamin shop.
Merchant of condensed wellness
an astronaut feast
in all the colors
that the laws of advanced data analysis
have decreed.

As you are guided through these grocery aisles of supplements
you learn the necessity of the add on:
busy people can’t eat farms.
Attuned to this forum of ingredients they are led
into a chalky future of muscular promise.

At the counter as you pay
they match your phone number
to the savings cult
to which you were granted membership.
Like all secret societies it promises enhanced powers.
Think of the ads in the back of arcane comics—
the kind and fit always triumph
over the crude bodies of coercion
who initially torment them.

Learn to play the long game
supplemental wisdom declares
become a tortoise with a magnificent shell.

 

 

Anti-Ode: Huckleberry Hound

Big smiling blue dog with a phony Southern drawl
Who tipped a yellow straw hat with a corny mischievous look
Who tried to be a dog catcher, a medieval knight, a gladiator and rocket scientist
I don’t remember much of your dumb cartoons
But I remember trying to like them
So you are a forced laugh
An awkward mental handshake
Like when you meet a business connection at a convention
Someone you’re supposed to get next to
And can’t think of what to say
And yet can’t get away
And the connection keeps talking about what you’re supposed to be interested in
And you fight your face against exposing your boredom

Down with Huckleberry Hound!
Down with Saturday morning cartoons!
Down with the idea that when you’re a child you should think like a child
And be enraptured by a stupid blue dog
And the thousand screaming commercials that chase its tail
Unlike the dog catcher Huckleberry Hound unsuccessfully portrayed in a mind-numbingly
   boring episode
In the new world no longer shall we teach children to emulate their captors!
In the new world they shall turn the tables on these monsters!

All power to the Children’s Revolutionary Cartoon Network!
All power to the Children’s Revolutionary Ad Agency!
Down with capitalist running dogs such as Huckleberry Hound.
May they turn back into the rectangles from which they were drawn!

 

 

 

 

Jerome Sala’s latest book is How Much? New and Selected Poems (NYQ Books).  Other books include cult classics such as Corporations Are People, Too! (NYQ Books), The Cheapskates (Lunar Chandelier), and Look Slimmer Instantly (Soft Skull). Widely published, his work appears in Pathetic Literature (Grove Atlantic) and two editions of Best American Poetry (Scribners). His blog, on poetry, pop culture and everyday life, is espresso bongo (https://espressobongo.typepad.com/).

 

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