Just
before the entire Sydney poetry scene was postponed because of the strealthy
corona- virus-19, Astrid Lorange managed to scrape in on this leap year's
Saturday afternoon with a book launch under the gum trees at the community
space 'Frontyard' in Marrickville.
There
were readings from Andrew Brooks and Emily Stewart and a short encomium from
Tom Melick before Astrid read the brilliant title poem that documents and
analyses the work of giving birth as labour. It's a beautiful and cogent poetic
synthesis of the continually examined work /labour difference. Justin Clemens
says '...every poem here requests an attentiveness to the relations of our
lives, to the entwining of senses and references.' Astrid Lorange tells us that 'This book is about relations and their
ambiguous intimacies. The three poems approach the question of how to endure,
survive, destroy or protect the relationships that both constrain and make life
possible.'
At
the launch Emily Stewart read a long montage poem that she described as being
made from an imagined experience of entering a room full of people all talking
at once. After publishing a chapbook, Like,
with Bulky News Press in 2015, Emily's debut collection of poetry Knocks was published by Vagabond Press in 2016.
Both
Andrew Brooks and Astrid Lorange have contributed to many seminars on poetry,
politics and art. Some of their ideas can be found on Western Sydney
University's website 'Poetry & Poetics'
here.
Tom Melick is a writer, editor and teacher. He
co-edits the pamphlet series Slug and
is a member of the publishing collective Camanchaca. You can read his review of Lyall Watson's
A Natural History of the Wind here.
Slug
pamphlets can be found here.
Other
poetry events that have been cancelled or postponed in Sydney are the monthly
reading series co-ordinated by poet and editor of Overland magazine Toby Fitch at Sappho's Books in Glebe and the launches of new books The Jewelled Shillelagh by Duncan Hose, A Happening in Hades by S.K. Kelen and Michael Farrell's Family Trees.
This
is such a weird time everywhere. Sydneysiders have been asked by our three
levels of government (yes - three! which equals three levels of taxes!) to stay
home to assist in reducing contagion. It's hard. As much as I might think I'll
use this period to read more, to write, to think, to make collages, practise
guitar, I find that I'm more distracted than ever by basefook, twitter &
email and increasingly unproductive days slowly roll on by. I was pleased to be
asked by rob mclennan to make a few notes on what's happening here - it kept me
at the keyboard feeling a bit more communicative & mildly concentrated for just
over an hour. Thanks rob. Up ahead, from the beginning of May I'll be reading
through and choosing poems for publication as a guest editor of Chris
Holdaway's min-a-rets magazine in Auckland,
Aotearoa/New Zealand - so, for me, I'm
happy to say there is a future.
Every
best wish from Pam Brown.
_________________________________________________________________
min-a-rets ; Sappho's Poetry Nights ; Toby Fitch ; The Jewelled Shillelagh ; A Happening in Hades ; Family Trees ;
Pam Brown, a dedicated amateur, has
published many books - most recently click here for what we do (Vagabond
Press, 2018). She has edited for Jacket, Overland, Cordite,
and other magazines. Pam is a Sydneysider living on Gadigal land.